Two weeks ago Rory McIlroy shared a picture of a special Speedmaster ’57, which his ‘Omega family’ gifted him for his 30th birthday. As a suave follow-up, today he shared that the watch will in fact be made as a special edition.
The Omega Speedmaster ’57 Rory McIlroy Special Edition 3220.127.116.11.08.001 is based on the 2013 reference 318.104.22.168.02.001. The silver dial of the standard model is swapped out in favor a sun-brushed champagne dial with a black minute track, and black stars on the sub dials that refer to the spikes on golf shoes. The watch is powered by Omega’s caliber 9301.
The Omega Speedmaster ’57 Rory McIlroy Special Edition 322.214.171.124.08.001 is presumed to be a limited edition though at this point I am not sure how many will be made. 61 pieces?
A few days ago I found out about Juxtapose, a tool which allows one to make direct comparisons between two pics. Sounds like fun, so I gave it a go with the standard-issue Omega Speedmaster 3126.96.36.199.01.006 versus the Apollo 11 50th Anniversary 310.20.42.50.01.001. So – once you’re done playing with the slider – what’s the final verdict?
Omega and The Metropolitan Museum of Art collaborated on a special edition of the First Omega in Space to coincide with the Apollo’s Muse exhibition that’s being held in celebration of the 50th anniversary of the Apollo 11 mission. The watch, based on the Speedmaster First Omega in Space ref. 3188.8.131.52.01.001, comes with a NATO-strap engraved with The Met, a special box with The Met branding, and a case back engraved with -you’ve guessed it- The Met. It is otherwise identical to the model on which it is based.
Sotheby’s, NEW YORK, 28 June 2019 – This July, Sotheby’s will offer the earliest, sharpest, and most accurate surviving video images of man’s first steps on the moon: three original NASA videotape recordings of the Apollo 11 lunar landing. Unrestored, un-enhanced, and un-remastered, the significance of the videotapes was recognised during NASA’s fruitless search at the time of the 40th anniversary of the lunar landing for its original SSTV recordings.
The tapes will headline our auction dedicated to Space Exploration on 20 July in New York – the 50th anniversary of the Apollo 11 lunar landing – when they are estimated to sell for $1/2 million. At a combined run time of 2 hours and 24 minutes, they capture everything from Neil Armstrong’s declaration: “That’s one small step for a man, one giant leap for mankind,” marking the historic moment the first human set foot on another world, to the “long distance phone call” with the President of the United States, and the planting of the American flag.
The Space Exploration auction will open for public exhibition on 13 July alongside, Omega Speedmaster: To the Moon and Back – an auction dedicated to the official watch of NASA.
The present videotapes are the only surviving first-generation recordings of the historic moon walk, and are sharper and more distinct than the few tapes that have survived from the contemporary network television broadcasts – all of which endured some loss of video and audio quality with each successive transmission from microwave tower to microwave tower.
Viewed only three times since June 1976 (perhaps the only times since they were first recorded late in the evening on 20 July 1969 at NASA’s Mission Control Center, Houston, Texas), the three reels of 2-inch Quadruplex videotape transport viewers to the big screen monitor at Mission Control, which displayed clearer images with better contrast than those that the more than half-billion-person television audience witnessed that momentous July day on their home sets. Home viewers watched video that had been transmitted over a 1,600-mile relay of microwave transmission towers to the major television networks in New York City, with each transfer causing a bit of deterioration to the picture quality. In contrast, Mission Control saw the same video that is on these 2-inch Quadruplex videotapes: moving pictures sent directly to Houston from closed circuit TV transmissions from the 3 lunar surface beamed to 64-meter-diameter radio telescopes at the Parkes and Honeysuckle Creek Observatories in New South Wales and Canberra, Australia, respectively, and NASA’s own similar sized antenna in Goldstone, California.
Cassandra Hatton, Vice President & Senior Specialist in Sotheby’s Books & Manuscripts Department, commented: “The successful lunar landing of Apollo 11 captured the world’s attention 50 years ago, uniting us in a collective belief in the unlimited potential of mankind. From neighbors gathered around a television set to the cosmonauts in Star City and the astronauts and engineers in Houston, this was a unique event in history that people from all walks remember with excitement and positivity. And what we universally recall about that event is best documented on these tapes – a glorious moment that united the people of earth in peace, as witnesses to mankind’s greatest achievement.”
This direct transmission originated from a Westinghouse TV camera that NASA had commissioned specifically to transmit images back to Earth from the lunar surface. Since the camera had to be deployed before Armstrong and Aldrin exited the Lunar Module (LM) if it was truly going to capture their first steps on the surface of the moon, the camera was stowed in a shock-proof and insulated mount on the LM’s Modularized Equipment Stowage Assembly (MESA). Armstrong released the MESA when he first peered out of the LM, so that the camera would be in position to capture his slow descent down the ladder and onto the lunar surface. The two astronauts later removed the camera from the LM and mounted it on a tripod to capture a wider view of the LM and their activities and experiments.
The Westinghouse lunar-surface camera shot ten frames per second, using only one-tenth of the bandwidth of the 30-frames-per-second format then standard for television broadcasts (known as NTSC). The transmissions to Earth began when Buzz Aldrin engaged the Westinghouse camera circuit breaker. While the crew was prepared to deploy an erectable S-Band antenna to facilitate transmission, that proved unnecessary: since they landed in alignment with the receivers at Honeysuckle Creek and Goldstone, they were able to transmit the video directly back to Earth using an adjustable high-gain antenna on the Lunar Module.
The high-resolution TV images received at the Parkes Observatory were recorded onto a total of fortyfive large diameter reels of narrow-band slow scan (SSTV) videotape. The images were simultaneously transmitted from Australia to NASA Mission Control in Houston, where they were converted to NTSC for network broadcast, and recorded using Ampex VR-660B video recorders onto 2-inch wide reel-to-reel Quadruplex videotape, including the present videotapes on offer.
The videotapes will be offered from the collection of Gary George, the man responsible for salvaging and safeguarding them for the past 43 years. As an engineering student at Lamar University, George was awarded a cooperative work internship at the NASA Johnson Space Center in June of 1973. During his internship, he would occasionally attend government surplus auctions, and in June 1976, at an auction at Houston’s Ellington Air Force Base, he purchased, for a bid of $217.77, a single lot consisting of some 1,150 reels of magnetic tape whose “Owning Agency Or Reporting Office” was NASA. Among the reels were about sixty-five boxes of 2-inch, reel-to-reel videotapes of the type used by television stations. A new reel of Ampex tape cost about $260 at that time, and since the tapes could be re-recorded, George purchased the lot with the intention of selling the used—but still usable—tapes to local TV stations.
After selling some of the tapes and donating others to Lamar University and a local church, George’s father noticed that in addition to the manufacturer’s labelling, three of the boxes had smaller typewritten labels identifying them as “APOLLO 11 EVA | July 20, 1969 REEL 1 [–3]” and “VR2000 525 Hi Band 15 ips.” Thinking that these particular tapes may be worth hanging on to, George saved the three boxes, giving them little thought until early 2008 when he learned that NASA was attempting to locate its original slow scan videotapes of the Apollo 11 EVA (Extravehicular Activity) in anticipation of the 40th anniversary of the first manned moon landing.
At this point the tapes were now vintage, compelling George to seek the assistance of the DC Video studio, which owned equipment capable of playing the videotapes. In October 2008, George’s videotapes were played at DC Video, very possibly for the first time since they had been recorded.
Miraculously, the tapes were in faultless condition, displaying a picture quality superior to any other existing contemporary videotapes. In December 2008, his tapes were played for a second time since he bought them in 1976 and were digitized directly to 10-bit uncompressed files, retaining their original 525 SD4/3 specifications and downloaded onto a one terabyte hard drive (which is included as a part of the sale of these three reels of videotape). This was the last time these reel-to-reel videotapes were played until Sotheby’s specialists viewed them in order to confirm their quality for this auction.
As for NASA, the agency abandoned its search after concluding that the forty-five reels of SSTV highresolution recordings of the Apollo 11 EVA had been erased and recorded over and any duplicate 2- inch Quadruplex videotape recorded by NASA, similar to those purchased by George, had either met the same fate or—perhaps worse—been irretrievably damaged due to poor storage protocol. NASA marked the ruby anniversary of Apollo 11 in 2009, by contracting with Lowry Digital to restore and enhance the footage of the EVA that had been saved by CBS Television – the version known to most viewers today.
From Neil Armstrong’s first step to Buzz Aldrin’s bounding down the LM ladder shortly after him; from Aldrin’s exuberant bouncing around on the surface of the moon to demonstrate the effects of lunar gravity to the remarkable “long distance phone call” with the President of the United States; from the astronauts’ solar wind experiment to their deploying the American flag on the surface of the moon; from the collection of soil and rock samples to the photographing of the “magnificent desolation” of the lunar landscape—this is the Apollo 11 moon walk as seen that historic evening of July 20, 1969, by the staff of Mission Control.
SPEEDMASTER APOLLO 11 50th Anniversary Limited Edition
There were many world-changing moments that defined the first lunar landing in 1969. From famous words to dusty footprints, it was a mission that remains unforgettable in so many ways. On the 50th anniversary of Apollo 11, OMEGA is proud to unveil a new Speedmaster Limited Edition that pays tribute to those iconic hours.
Now, you can wear the first watch worn on the moon – and also relive its journey.
STILL A PIONEER
The Speedmaster made watchmaking history on the 21st of July 1969. Today its pioneering spirit still remains through the use of a new material known as 18K Moonshine™ gold. This exclusive patent-pending alloy is a paler hue than traditional yellow gold and offers high resistance to fading over time. As you explore the surface of the watch, you’ll find 18K Moonshine™ gold throughout the design.
ENGINEERING AT ITS BEST
Innovation was key to the Apollo 11 success. OMEGA has followed that theme with a 42 mm case in stainless steel and a polished bezel made from 18K Moonshine™ gold. The bezel ring itself is polished black ceramic [ZrO2] with a radiant OMEGA Ceragold™ tachymeter scale.
Two distinct zones make up the dial, including a varnished central grey zone and an outer black minute track. 18K Moonshine™ gold is used for the bevelled indexes, vintage OMEGA logo and all of the hands – except for the central chronograph seconds hand, which is “PVD-coated” in Moonshine™ Gold.
Buzz Aldrin was wearing an OMEGA Speedmaster when he climbed down from the Eagle to reach the lunar surface at 03:15:16 UTC. At that second, his timepiece became the first watch worn on the moon. On the 9 o’clock subdial of this new Limited Edition, OMEGA has laser-engraved the image of Buzz on a Moonshine™ Gold plate.
Distinct from all other indexes, the 11 o’clock hour marker is formed by an 18K Moonshine™ Gold number 11, in tribute to the Apollo mission.
Going where no human had gone before. Featured on the caseback is an image of an astronaut’s footprint, which has been laser-engraved onto a black-coated plate with a moon-surface texture.
«THAT’S ONE SMALL STEP FOR A MAN, ONE GIANT LEAP FOR MANKIND». Neil Armstrong’s legendary words have echoed through time. Now, they are written on the caseback of this watch in 18K Moonshine™ Gold-plated lettering.
Only 6,969 pieces are available in this Limited Edition collection. Proud owners will find their unique number engraved in black on the caseback, along with APOLLO 11, 50th ANNIVERSARY and LIMITED EDITION. Also engraved, yet blending in with the steel, are NAIAD LOCK, Cal. 3861 and CO-AXIAL MASTER CHRONOMETER.
The brand new OMEGA Co-Axial Master Chronometer Calibre 3861 takes the next evolutionary step for the famous Moonwatch movement. It took 4 years of trial-and-error to create the calibre’s most recent incarnation. OMEGA was determined to produce a movement of the highest standard, yet perfectly match the dimensions of the 1861.
That goal has been achieved. Now crafted with Co-Axial technology, a stop-second function and OMEGA’s superior anti-magnetic innovation, the Speedmaster Moonwatch is resistant to magnetic fields of 15,000 gauss and has been able to reach the Master Chronometer standard, which assures the industry’s highest certified level of precision, chronometric performance and magnetic resistance.
The watch is presented on a polished-brushed metallic bracelet with a vintage Ω on the clasp: a design inspired by the bracelet of the 4th generation Speedmaster (ST 105.012-65).
For the customer’s own mission, however, this new Limited Edition comes with another special option.
Inside the NASA-style presentation box, you’ll find an additional Velcro® strap with black-coated cork. This innovative design is a salute to the Apollo-era “boost protective cover” – a fiberglass structure covered with cork which fitted over the Command Module like a glove, keeping the crew of the Saturn V rocket safe from the intense heat produced at launch.
The box also includes two mission patches (50th anniversary / Apollo 11), two engraved plates (landing site coordinates / landing site and time) as well as a strap-changing tool. Best of all, it houses the ultimate Lunar Model display stand.