Press Release: Omega Speedmaster Apollo 11 50th Anniversary Limited Edition 310.60.42.50.99.001

It is now 50 years since mankind took its first daring steps onto the moon – a moment that changed history (and the limits of possibility) forever. On this golden anniversary, OMEGA is celebrating the occasion with a brand new Speedmaster that has a very special connection to the astronauts and the legacy of that Apollo 11 mission.

How OMEGA Reached the Moon

Neil Armstrong and Buzz Aldrin became the first humans to walk on the lunar surface at 02:56 UTC on the 21st of July 1969. Their moonwalk lasted just two and a half hours, but their achievements left a defining footprint on the history of space exploration.

Strapped onto the wrists of the astronauts, it was during this iconic moment that the OMEGA Speedmaster Professional became the first watch worn on the moon.

The Apollo 11 mission is certainly the most celebrated moment in OMEGA’s considerable space heritage. But the journey to reach that point began more than 10 years earlier, in 1957, when the very first OMEGA Speedmaster was launched.

Thanks to its robust, reliable and easy-to-read design, the Speedmaster became known as the “pilots’ choice” and was adopted by those in the U.S Air Force. Many of those aces became Mercury astronauts in NASA’s first manned space programme and, in 1962, one of those astronauts, Walter Schirra, took his own Speedmaster CK2998 on the Mercury Atlas 8 mission. Orbiting the Earth six times, his privately-owned model became the first OMEGA watch worn in space.

By 1964, NASA’s space programme was accelerating rapidly and it officially went in search of one watch that it could rely on for all of its manned-missions. Flight Crew Operations Director, Deke Slayton, issued a request for wrist-worn chronographs from different watch manufacturers around the world. Several brands, including OMEGA, submitted their timepieces for the punishing tests – such as thermal, shock, vibration and vacuum examinations amongst others. Only the OMEGA Speedmaster survived these tests and, as a result, it was declared “Flight Qualified for all Manned Space Missions” on the 1st of March 1965.

From that moment, OMEGA was the only supplier of watches for NASA’s Human Space Flight Program. It was trusted throughout the Mercury Missions, Gemini Program, and, of course, the Apollo Program – which had its sights set on the moon.

James Ragan, the NASA engineer who qualified the Speedmaster in 1965 has spoken about the importance of OMEGA by saying, “The watch was a backup. If the astronauts lost the capability of talking to the ground, or the capability of their digital timers on the lunar surface, then the only thing they had to rely on was the OMEGA watch they had on their wrist. It needed to be there for them if they had a problem.”

With the eyes of the world on Apollo 11 in 1969, every piece of technology and kit had to be just right. There was no room for error. That’s why it is such an honour for OMEGA to look back and know that its watches were implicitly trusted by everyone involved. 50 years later, we are still incredibly proud to have timed mankind’s greatest hour.

A Tribute to Heroes

The success of Apollo 11 was fervently celebrated around the world in 1969. On the 25th of November that year, a special “Astronaut Appreciation Dinner” was held in Houston, Texas, in tribute to the moon landing heroes.

The dinner was especially notable for a certain OMEGA Speedmaster that was presented to the astronauts in NASA’s space program. The watch, Speedmaster BA145.022, was crafted from 18K yellow gold and included a rare burgundy bezel, as well as an inscription on the caseback that read, “to mark man’s conquest of space with time, through time, on time.”

This gold Speedmaster housed the calibre 861 and was OMEGA’s very first commemorative numbered edition, with only 1,014 models being produced from 1969 to 1973. The very first of these was created for US President, Richard Nixon, with number two allocated to the US Vice President Spiro Agnew. These watches, however, were later returned to OMEGA due to the US government’s strict gifting protocol.

Model numbers 3 – 28 were given to the NASA astronauts, including 19 of those who were present at the gala dinner in Houston. This also included three models that were awarded posthumously to the three crew members who died during Apollo 1 – Virgil Grissom, Ed White and Roger Chaffee.

Watches 29 to 32 were offered to Swiss watch industry leaders and politicians, without any engraved number.

The public were given the opportunity to purchase model numbers 33 – 1000. Although these models had a different caseback inscription, reading “OMEGA SPEEDMASTER”, “APOLLO XI 1969” and “Ω THE FIRST WATCH WORN ON THE MOON”, they remained highly soughtafter due to their rarity and connection to space. They also came in an exclusive moon crater presentation box, which itself is a prized collector’s item today.

It may also be interesting to know that model numbers 1001 – 1008 were later presented to the astronauts of Apollo 14 and 17, while models 1009 – 1014 were reserved for other personalities. For true Speedmaster fans, the BA145.022 is one of the great highlights in the chronograph’s iconic history. Not only is it a beautiful watch to look at, with its blend of gold and burgundy, but it also pays the highest tribute to the NASA astronauts who delivered mankind to the moon.

Omega Speedmaster Apollo 11 50th Anniversary Limited Edition

Marking the golden anniversary of the first moon landing, OMEGA has produced a new Limited Edition Speedmaster of 1,014 pieces, delivered with a five-year warranty.

Following the famous design of the Speedmaster BA145.022, this new chronograph has been crafted from an exclusive new 18K gold alloy and is powered by a brand new manual-winding Master Chronometer calibre 3861.

18K Moonshine™ Gold

The case, bracelet, dial, hour-markers and hour-minute hands have all been created in 18K Moonshine™ gold – a unique new alloy whose colour is inspired by the shining moonlight in a dark blue sky. In a paler hue than traditional 18K yellow gold, Moonshine™ gold offers high resistance to the fading of colour and lustre over time.

Case and Bracelet

The polished and brushed 42 mm case of this timepiece features the asymmetrical caseband of the 4th generation Speedmaster. Around the wrist, the brushed-polished bracelet bears the five–arched-links-per-row design and a grooved clasp with an applied vintage Ω.

Burgundy Ceramic [ZrO2] Bezel

Remaining true to the historical piece of 1969, OMEGA has included a burgundy bezel ring – this time in ceramic [ZrO2], according to a special patent pending process, with its tachymeter scale in Ceragold™. Following the first generation of the Speedmaster tachymeter scale, which graduated to 500 units per hour, this new model features a marker dot above 90 (also known as “Dot Over 90” or “DON”).

Onyx and Black

The vertically brushed dial is marked “Au750” for the use of solid gold and is enhanced by the facetted black onyx indexes set in the polished hour-markers, as well as the hour-minute hands filled with black varnish and the black varnished central chronograph seconds and subdial hands.

The Unique Caseback

Lens Position: 2774

The outer caseback ring features mechanically engraved markings: “1969-2019” and the Limited Edition number highlighted in burgundy, as well as uncoloured “Master Chronometer”. The inner decorative ring, also created in 18K Moonshine™ gold, has undergone two separate laser ablation processes, as well as two PVD (Physical Vapour Deposition) colour treatments in blue and black. This has produced the following exquisite results:

  • – a matte-finish blue ocean that surrounds a partial world map of the American continents (in polished finish), with a glimpse over the rocket’s lift-off site Cape Canaveral (known as Cape Kennedy from 1963 – 1973)
  • – a matte-finish black background which accentuates polished markings including, “APOLLO 11 – 50th ANNIVERSARY” and “THE FIRST WATCH WORN ON THE MOON”.

Finally, a domed lunar meteorite inlay representing the Moon has been delicately set into the cavity of the ring. Interesting, the Earth and the Moon on the inner ring have been produced in true proportion (3.67 : 1 in diameter).

Movement

This Speedmaster is driven by the OMEGA Master Chronometer Calibre 3861 – a manual-winding movement with Co-Axial escapement, silicon Si14 balance spring, Moonshine™ gold-plated main plate and bridges and burgundy markings.

Vintage Logos

For fans of OMEGA history, there are a number of vintage OMEGA logos to be found throughout the design – including on the dial, crown and bracelet clasp.

Crater Box

A unique watch in a unique presentation box! Inspired by the original packaging of the BA145.022 model in 1969, OMEGA has created a new crater box that will house each Limited Edition timepiece. The panels of the box are in grey ceramic with 3D printing of the lunar surface. Since every panel is structured differently, no crater box will be alike. Furthermore, the top panel of every box is printed with the image of the Sea of Tranquillity and the landing position of Apollo 11.

New: Omega Speedmaster ’57 Rory McIlroy Special Edition 331.50.42.51.08.001

I loved my 30th birthday #Speedmaster ’57 Rory McIlroy so much that @OMEGA is making more! 

Rory McIlroy

Two weeks ago Rory McIlroy shared a picture of a special Speedmaster ’57, which his ‘Omega family’ gifted him for his 30th birthday. As a suave follow-up, today he shared that the watch will in fact be made as a special edition.

The Omega Speedmaster ’57 Rory McIlroy Special Edition 331.50.42.51.08.001 is based on the 2013 reference 331.50.42.51.02.001. The silver dial of the standard model is swapped out in favor a sun-brushed champagne dial with a black minute track, and black stars on the sub dials that refer to the spikes on golf shoes. The watch is powered by Omega’s caliber 9301.

The Omega Speedmaster ’57 Rory McIlroy Special Edition 331.50.42.51.08.001 is presumed to be a limited edition though at this point I am not sure how many will be made. 61 pieces?

More info on Watchbase.

Juxtapose: 311.30.42.30.01.006 VS 310.20.42.50.01.001

A few days ago I found out about Juxtapose, a tool which allows one to make direct comparisons between two pics. Sounds like fun, so I gave it a go with the standard-issue Omega Speedmaster 311.30.42.30.01.006 versus the Apollo 11 50th Anniversary 310.20.42.50.01.001. So – once you’re done playing with the slider – what’s the final verdict?

NEW: Omega Speedmaster First in Space The Met Edition 311.32.40.30.01.002

Omega and The Metropolitan Museum of Art collaborated on a special edition of the First Omega in Space to coincide with the Apollo’s Muse exhibition that’s being held in celebration of the 50th anniversary of the Apollo 11 mission. The watch, based on the Speedmaster First Omega in Space ref. 311.32.40.30.01.001, comes with a NATO-strap engraved with The Met, a special box with The Met branding, and a case back engraved with -you’ve guessed it- The Met. It is otherwise identical to the model on which it is based.

The Omega Speedmaster First Omega in Space The Met Edition is available through the museum store. More details via WatchBase, and the full Apollo’s Muse collection can be seen here.

Press Release: Sotheby’s to Offer The Best Surviving NASA Videotape Recordings Of the Apollo 11 Moon Landing

Sotheby’s, NEW YORK, 28 June 2019 – This July, Sotheby’s will offer the earliest, sharpest, and most accurate surviving video images of man’s first steps on the moon: three original NASA videotape recordings of the Apollo 11 lunar landing. Unrestored, un-enhanced, and un-remastered, the significance of the videotapes was recognised during NASA’s fruitless search at the time of the 40th anniversary of the lunar landing for its original SSTV recordings.

The tapes will headline our auction dedicated to Space Exploration on 20 July in New York – the 50th anniversary of the Apollo 11 lunar landing – when they are estimated to sell for $1/2 million. At a combined run time of 2 hours and 24 minutes, they capture everything from Neil Armstrong’s declaration: “That’s one small step for a man, one giant leap for mankind,” marking the historic moment the first human set foot on another world, to the “long distance phone call” with the President of the United States, and the planting of the American flag.

The Space Exploration auction will open for public exhibition on 13 July alongside, Omega Speedmaster: To the Moon and Back – an auction dedicated to the official watch of NASA.

The present videotapes are the only surviving first-generation recordings of the historic moon walk, and are sharper and more distinct than the few tapes that have survived from the contemporary network television broadcasts – all of which endured some loss of video and audio quality with each successive transmission from microwave tower to microwave tower.

Viewed only three times since June 1976 (perhaps the only times since they were first recorded late in the evening on 20 July 1969 at NASA’s Mission Control Center, Houston, Texas), the three reels of 2-inch Quadruplex videotape transport viewers to the big screen monitor at Mission Control, which displayed clearer images with better contrast than those that the more than half-billion-person television audience witnessed that momentous July day on their home sets. Home viewers watched video that had been transmitted over a 1,600-mile relay of microwave transmission towers to the major television networks in New York City, with each transfer causing a bit of deterioration to the picture quality. In contrast, Mission Control saw the same video that is on these 2-inch Quadruplex videotapes: moving pictures sent directly to Houston from closed circuit TV transmissions from the 3 lunar surface beamed to 64-meter-diameter radio telescopes at the Parkes and Honeysuckle Creek Observatories in New South Wales and Canberra, Australia, respectively, and NASA’s own similar sized antenna in Goldstone, California.

Cassandra Hatton, Vice President & Senior Specialist in Sotheby’s Books & Manuscripts Department, commented: “The successful lunar landing of Apollo 11 captured the world’s attention 50 years ago, uniting us in a collective belief in the unlimited potential of mankind. From neighbors gathered around a television set to the cosmonauts in Star City and the astronauts and engineers in Houston, this was a unique event in history that people from all walks remember with excitement and positivity. And what we universally recall about that event is best documented on these tapes – a glorious moment that united the people of earth in peace, as witnesses to mankind’s greatest achievement.”

This direct transmission originated from a Westinghouse TV camera that NASA had commissioned specifically to transmit images back to Earth from the lunar surface. Since the camera had to be deployed before Armstrong and Aldrin exited the Lunar Module (LM) if it was truly going to capture their first steps on the surface of the moon, the camera was stowed in a shock-proof and insulated mount on the LM’s Modularized Equipment Stowage Assembly (MESA). Armstrong released the MESA when he first peered out of the LM, so that the camera would be in position to capture his slow descent down the ladder and onto the lunar surface. The two astronauts later removed the camera from the LM and mounted it on a tripod to capture a wider view of the LM and their activities and experiments.

The Westinghouse lunar-surface camera shot ten frames per second, using only one-tenth of the bandwidth of the 30-frames-per-second format then standard for television broadcasts (known as NTSC). The transmissions to Earth began when Buzz Aldrin engaged the Westinghouse camera circuit breaker. While the crew was prepared to deploy an erectable S-Band antenna to facilitate transmission, that proved unnecessary: since they landed in alignment with the receivers at Honeysuckle Creek and Goldstone, they were able to transmit the video directly back to Earth using an adjustable high-gain antenna on the Lunar Module.

The high-resolution TV images received at the Parkes Observatory were recorded onto a total of fortyfive large diameter reels of narrow-band slow scan (SSTV) videotape. The images were simultaneously transmitted from Australia to NASA Mission Control in Houston, where they were converted to NTSC for network broadcast, and recorded using Ampex VR-660B video recorders onto 2-inch wide reel-to-reel Quadruplex videotape, including the present videotapes on offer.

The videotapes will be offered from the collection of Gary George, the man responsible for salvaging and safeguarding them for the past 43 years. As an engineering student at Lamar University, George was awarded a cooperative work internship at the NASA Johnson Space Center in June of 1973. During his internship, he would occasionally attend government surplus auctions, and in June 1976, at an auction at Houston’s Ellington Air Force Base, he purchased, for a bid of $217.77, a single lot consisting of some 1,150 reels of magnetic tape whose “Owning Agency Or Reporting Office” was NASA. Among the reels were about sixty-five boxes of 2-inch, reel-to-reel videotapes of the type used by television stations. A new reel of Ampex tape cost about $260 at that time, and since the tapes could be re-recorded, George purchased the lot with the intention of selling the used—but still usable—tapes to local TV stations.

After selling some of the tapes and donating others to Lamar University and a local church, George’s father noticed that in addition to the manufacturer’s labelling, three of the boxes had smaller typewritten labels identifying them as “APOLLO 11 EVA | July 20, 1969 REEL 1 [–3]” and “VR2000 525 Hi Band 15 ips.” Thinking that these particular tapes may be worth hanging on to, George saved the three boxes, giving them little thought until early 2008 when he learned that NASA was attempting to locate its original slow scan videotapes of the Apollo 11 EVA (Extravehicular Activity) in anticipation of the 40th anniversary of the first manned moon landing.

At this point the tapes were now vintage, compelling George to seek the assistance of the DC Video studio, which owned equipment capable of playing the videotapes. In October 2008, George’s videotapes were played at DC Video, very possibly for the first time since they had been recorded.

Miraculously, the tapes were in faultless condition, displaying a picture quality superior to any other existing contemporary videotapes. In December 2008, his tapes were played for a second time since he bought them in 1976 and were digitized directly to 10-bit uncompressed files, retaining their original 525 SD4/3 specifications and downloaded onto a one terabyte hard drive (which is included as a part of the sale of these three reels of videotape). This was the last time these reel-to-reel videotapes were played until Sotheby’s specialists viewed them in order to confirm their quality for this auction.

As for NASA, the agency abandoned its search after concluding that the forty-five reels of SSTV highresolution recordings of the Apollo 11 EVA had been erased and recorded over and any duplicate 2- inch Quadruplex videotape recorded by NASA, similar to those purchased by George, had either met the same fate or—perhaps worse—been irretrievably damaged due to poor storage protocol. NASA marked the ruby anniversary of Apollo 11 in 2009, by contracting with Lowry Digital to restore and enhance the footage of the EVA that had been saved by CBS Television – the version known to most viewers today.

From Neil Armstrong’s first step to Buzz Aldrin’s bounding down the LM ladder shortly after him; from Aldrin’s exuberant bouncing around on the surface of the moon to demonstrate the effects of lunar gravity to the remarkable “long distance phone call” with the President of the United States; from the astronauts’ solar wind experiment to their deploying the American flag on the surface of the moon; from the collection of soil and rock samples to the photographing of the “magnificent desolation” of the lunar landscape—this is the Apollo 11 moon walk as seen that historic evening of July 20, 1969, by the staff of Mission Control.

The full catalogue is available via this link.